Showing posts with label Corruption. Show all posts
Showing posts with label Corruption. Show all posts

Tuesday, June 10, 2008

Guest Writer: Monday Love Weighs in on "Foetry Politics"

(This post has been elevated from the comment section of the Writing Forum Survey. In his post Can There Be Poem Criticism Without PoBiz Criticism?, Matt Koeske responds to Monday Love.)

Many who love poetry look at ‘foetry politics’ and say, ‘but what’s this got to do with poetry? If editors and poets use creative marketing and fund-raising methods which are not pure as the driven snow, if coteries exist in which friends support each other, so what? This has always been done and always will be done, and there are enough honest platforms out there for poetry, so what’s the big deal? If I really love poetry, why should I care about this nonsense? It’s trivial to me.’

Poets.net probably needs to answer this question.

Corruption is more wide-spread than anyone realizes.

Po-biz is very, very small and almost all the coteries are connected, and if you don’t happen to belong to one of these coteries, you really will lose out on a slice of the pie.

'Group-think’ permeates po-biz, due to the existence of coteries. This is a subtle point, because it is true that coteries and ‘group-think’ which arises due to coterie behavior is normal and there is nothing wrong with it, per se.

However, since poetry does suffer from a severe lack of open markets (because poetry doesn’t sell on its own and requires university subsidy and fees collected from contests which are run and won and judged by a relatively small group, consisting largely of these defined coteries) this ‘group-think’ does stifle free discourse, not from any conspiracy, but simply from the nature of coterie group-think, which, again, is quite normal.

“Group-think’ is really a misnomer, because ‘thinking’ isn’t really what occurs; it’s really a non-thinking gesture which prevails, an irritation with lively and original investigation; any ‘thinking outside the box’ is viewed with suspicion, since the insularity of 'group-think' is unconsciously rewarded and defended for the survival of what is essentially an entity which exists accidentally, not out of any necessity.

Coteries exist for themselves, not for the sorting and processing and development of new knowledge, and too much activity in the ‘knowledge’ area sends out warning signals to the coterie or club. Coteries always appear ‘innocent,’ precisely because they are ‘accidental’ (they contain persons X, Y, and Z for various social reasons, and most, if not all, are perfectly healthy reasons).

Coteries are ‘innocent,’ because they exist, not abstractly, but socially; they have no agenda beyond, ‘these are my friends and we together doing what we love.’

These ‘innocent persons’ are the first to protest when ‘necessity’ is introduced: “You are nothing but a coterie, you are not helping poetry, per se, poetry requires a more systematic investigation of…” These sorts of comments are those which immediately send up the flags, and this, in a nutshell, characterizes the current struggle between “Foets and anti-Foets” in poetry, today.

The coteries react with ‘innocent’ indignation (‘you hate us merely because we exist’) and the outsiders reply, ‘yes we hate you because you exist (for yourselves) merely.’

What gives the debate outlined above even more momentum is the following: The coteries become more and more enamored of the 'friendly' nature of the coterie-process and gradually become less enamored with intellectual debate and process, while the outsiders continue to become more enamored with intellectual debate and process, resenting more and more the friendly nature of the coterie process.

The rift widens, and the two sides become more and more irritated with the signals given off by either side. The coteries can smell the type who is ‘desperate for argument,’ while the outsiders feel they are quickly labeled a ‘troublemaker’ for daring to argue about anything substantial. The ‘anti-argument’ and the ‘argument’ sides solidify into their respective identities, and the end result is that the coteries grow more and more anti-intellectual while the outsiders grow more and more ferociously intellectual and argumentative; but even worse, the status quo of the coteries, in order to secure intellectual respect, will strive to be intellectual in highly bizarre and technical ways, while the outsiders, striving to appear friendly, to make up for a lack in that regard, turn timid and acquiescent--thus both the outsider’s passion AND the inquisitive intellectuality of the insider’s coterie-status quo become diminished to such an extent, that poetry loses even the minor edge it once possessed.

A great dishonesty finally prevails, with coteries pretending to be intellectual in more and more Byzantine ways, scaring more and more laypersons away, while poetry outsiders fall into toothless and ‘out-of-touch’ impotency.

Since poetry is ‘market impotent’ in general, coteries come and go fairly quickly, even occasionally receiving new blood from the quarrelsome, anti-social outsider.

So the rift exists in the first place, then becomes diminished, and sometimes disappears, but in a process, as described above, which damages poetry as a social entity and as an art.

Discussion within poetry loses effectiveness, for no one is talking to each other about poetry with an independent spirit; fashionable theories and ideas are repeated and shallowly discussed, everyone looks to each other, attempting to get clues as to what to say next, radical anti-intellectual statements are allowed to pass, since no one is prepared, to defend, in any substantive manner, any intellectual idea or principle, the whole of this idea having been eroded by groups staking out positions in the manner described above.

So here we are back to where we started: “for no one is talking to each other about poetry” and this was the initial complaint upon which I launched this commentary. It may be pointed out that I am guilty of the same thing, since here, at some length, I am demonstrating the problem of which I complain: verbosity which has nothing to with poetry; but the careful reader will see that I am clearing ground so that discussion of poetry might exist in a more fruitful manner; and also I would remind the reader that poetry can not be boiled down to ‘itself;’ the structure of po-biz will always matter, just as who writes the canon and the textbooks and the reviews and who writes the poetry, will always matter, beyond ‘the poetry’ itself.

Monday Love

Poetry, Inc.--The Great Vanity Publishing Network & Cover-up

To comment to this post, please go here.



This anonymous Comment was originally posted on June 5, 2008, at 12.04 p.m. as a reply to HOMPRANG HAMMERED before H.H. was elevated to a post and then deleted from the comment section.

Christopher [Woodman] is like a character in a John Grisham thriller. The law firm of American Poetry, Inc. is a great Vanity Publishing Network and the cover-up is more horrible than the crime.

If not John Grisham, then the Invasion of the Body Snatchers, or Dracula, or a terrifying scenario more horrific, where poets are zombies who feed off innocent flesh: the minds, hearts, souls and money of ‘paying poetry customers,’ the would-be poet and hasty poetry reader who has scanned a few contemporary poems and said to themselves “I can do that.”

The living dead of Poetry, Inc. are no longer concerned with Poetry and its readers, Poetry and its history, for all “readers” are now would-be poets willing to pay for the privilege of being ‘poets’ in a shadowy realm of ‘contemporary anthology’ pretense, manufactured by the lawyers of Poetry, Inc. You sign on the dotted line at the nearest MFA recruitment center and agree to participate in the game: you agree to never ask why it is always night, why some things are just ‘not discussed,’ why the poets wear blank looks and carry black appointment books and blithely abet the pyramid scheme of money-laundering for the secret muse.

Woodman met a ‘respected’ official of the poetry world, a gentleman calling himself ‘editor’ and ‘poet,’ warm his voice, with unctuous flattery, but once, when Woodman looked away, this smiling editor, with teeth shining like ice, suddenly lurched towards Mr. Woodman’s neck. Woodman looked up in horror. Was it a dream? The ‘editor’ drifted back into the night, complaining he was busy, and had so many clients who needed his expertise. Woodman followed, and met up with a woman who hissed at him like a snake, warning him to leave the gentleman ‘poet’ alone. Woodman went to Policemen and Writers, to the Academy of Poets, Toads, and Spiders, seeking help. Every policeman and toad he encountered had the same blank look and—could it be?—he heard the hissing sound of that woman in a nearby room…

Madness, I tell you! Madness! The record of Woodman’s complaint! Gone! It was all a dream! Come away, Christopher, come away! In the shadows, here, down by the earthen lake, your fate awaits you, the raven flies and beneath the hidden moon, she is waiting, the proper one, with the ghost-white guidelines in her slender hands…the icy caress of the secretary muse…of Police & Writers...Poets.Ogre...

Poetry, Inc.!

Wednesday, May 7, 2008

Guest Writer: NOTES FOR 21st CENTURY POETRY HISTORIANS & SOCIOLOGISTS (Christopher Woodman)

...JOAN HOULIHAN, JEFFREY LEVINE, & THE ACADEMY OF AMERICAN POETS

The monthly "Pruning" of the Poets.org Forum at The Academy of American Poets starts tomorrow, May 5th--how much of this invaluable "oral-history" will we lose to protect poetry's celebrity faces?

JOAN HOULIHAN STALKS ME...

Joan Houlihan and I know each other pretty well—for a whole year now she’s been following me around everywhere, and I’ve been getting in touch with her every time I noticed it.

The following paragraphs are for archivists and historians—they're as dense as they're ephemeral, so if you're satisfied that you know the story then just skim the following. The gist of the argument starts in the "JEFFREY LEVINE AND JOAN HOULIHAN, BUSINESS PARTNERS..." section.

JOAN HOULIHAN POSTS AS "rperlman"...

As a start, Joan Houlihan and I debated face to face AGNI's intervention on Foetry just a year ago:

http://foetry.com/forum/index.php?topic=1067.15

(She was ‘rperlman’, I was ‘Expat Poet’, Steven Ford Brown was ‘Thewayitworks.’ ‘Monday Love’ was Monday Love—we went on for pages!), and she even quoted some of her parts of the argument on the Buffalo Poetics List a month later, particularly the parts about “this Christopher Woodman guy.”

http://listserv.buffalo.edu/cgi-bin/wa?A2=ind0704&L=poetics&D=0&T=0&P=23750

All that has probably been deleted now, but it was just a copy of the Foetry passage anyway, so here it is in the original--and do note her threat in the 2nd post on 'Defamation' to expose AGNI for its lack of "editorial integrity!"

http://foetry.com/forum/index.php?topic=1067.30

JOAN HOULIHAN PUBLISHES THE ANGRY "ROTTEN GRAPES" LETTER IN P&W....

After Joan Houlihan published her letter in the Nov/Dec 2007 P & W Magazine, I went straight to the P & W Forum to try to get a hearing there. And sure enough, there was 'rperlman' lurking around what I was writing yet again, starting here and going on for pages about why I was so angry with her and her partner, Jeffrey Levine:

http://www.pw.org/speakeasy/gforum.cgi?do=post_view_flat;post=256080;page=2;sb=post_latest_reply;so=ASC;mh=25

P&W DOES NOT PRINT MY REPLY TO JOAN HOULIHAN'S "ROTTEN GRAPES" LETTER AND BANS ME FROM THEIR WEB SITE...

I asked Joan Houlihan/'rperlman' by PM to participate in the dialogue, twice in fact, but she never came on, or even replied, but of course she hadn’t yet admitted she was ‘rperlman’ at that point, though we’d all guessed it! I also applied formally to join one of her Colrain Manuscript Conferences in the Berkshires, and we corresponded a bit over that—she felt I was unsuitable, and on reflection I must admit I couldn’t agree more, though I was serious when I applied--I thought I should give it a chance. Finally, she came on-line at Pw.org almost immediately after I was banned from the Speakeasy last March, I mean within minutes (how did she know?)--and of course I got banned two weeks later from the Poets.org Forum as well for specifically discussing her Nov/Dec 2007 Letter to Poets & Writers Magazine, though the Administrator trotted out the usual charges about "offensive material" and "abrassive" conduct. All that’s been deleted on Poets.org now, of course, so you’ll have to go here to find it—we at Poets.net save everything Poets.org deletes; it’s always so historically important:

http://www.poets.net/2008/04/thread-acommoner-responds-to-rotten.html

That was just the first time, and the post lasted just 8 minutes that time (Poets.org, “The First Amendment & Forums,” Tue Mar 25, 2008 4:06 am > Tue Mar 25, 2008 4:14 am), so obviously somebody was well-primed and waiting. The second Poets.org banning was when I wrote about some “white mansions in the Berkshires,” and suggested Joan Houlihan and Jeffrey Levine were probably listening and would perhaps give their views on the issue:

http://poets.org/forum/viewtopic.php?t=15405&start=135

If they were, they didn’t--but then I was zapped out of the water right then and there, minutes later once more! Here’s a little more detail on that last catastrophe:

http://www.poets.net/2008/04/guest-writer-christopher-woodman-speaks.html

--it's all gone, you know where.

So we have quite a history together, Joan Houlihan and myself, and I guess she’s winning if bannings followed by deletions are the way you define your victories!

JEFFREY LEVINE AND JOAN HOULIHAN, BUSINESS PARTNERS...

In fact our history goes back to the moment Joan Houlihan’s publisher/partner in the Colrain Manuscript Conferences, Jeffrey Levine, sent me one of his famous “Template Personal Reviews” after the Tupelo Press Open Reading in Nov 2006 and asked me for $295.00 to get some extra help from him, to "lift [me] up a level!". Here’s a copy of the actual signed document I received:

http://foetry.com/forum/index.php?topic=850.165

(Reply # 179 April 06, 2007, 01:11:56 AM)

Indeed, Joan Houlihan got into my really bad books (what a metaphor!) when she decided, yes, to defend Jeffrey Levine’s abuse of my trust in her Nov/Dec 2007 P&W Letter,

http://www.poets.net/2008/04/thread-acommoner-responds-to-rotten.html

--almost as if I were a woman who had been asking for it. That’s how she made me feel in her ROTTEN GRAPES defense of the man, and that’s certainly why I’m raging at her still. Or mothers who cut their little girls in Ethiopia.

I’ve been following the development of Joan Houlihan’s Colrain Manuscript Conferences from the start—here are a few URLs for those of you who are not familiar with the Colrain phenomenon, to get you quickly acquainted:

1.) http://www.colrainpoetry.com/

2.) http://www.concordpoetry.org/Colrain/May/mp-faculty1.htm

3.) http://www.colrainpoetry.com/May/omnis-news.htm

4.) http://www.colrainpoetry.com/February/omnis-comments.htm

To be quite frank about these conferences, what astonishes me is that so many obviously intelligent, well-educated and highly sensitive people (look at the photos!) who are also serious poets, including Joan Houlihan herself, could have become so confused about what poetry is, how a person becomes a poet, how a book gets written, who reads that book, and most important of all, why anyone would read a book of poetry who didn't have to! I’ve become a poetry activist at almost 70 specifically because of contemporary movers like Joan Houlihan, and though I’m still writing poetry, hard, and sending out my work as much as I can, I’m more concerned about poetry pollution at the moment than I am about my own career!

That’s probably just as well!

One final link between Joan Houlihan, Jeffrey Levin and myself at the Academy of American Poets--indeed, the current link, and why I'm writing now.

ROBIN BETH SCHAER OF POETS.ORG ON JEFFREY LEVINE'S SHORT LIST...

The Tupelo Press just announced the Finalists of its 2008 Snowbound Chapbook Contest, and among them is Robin Beth Schaer, the Chief On-Line Editor on the board of The Academy of American Poets, and the Supremo in charge of the whole Poets.org Forum.

I was banned from that Forum twice, of course, and both times for mentioning the Editor and Publisher of The Tupelo Press, Jeffrey Levine, together with his “business partner,” Joan Houlihan.

I’m not for a moment suggesting Robin Beth Schaer had anything to do with my banning, but since there can be no doubt in anybody’s mind as to WHY I was banned, nor that I was banned TWICE for the same offence, i.e. mentioning Jeffrey Levine’s and Joan Houlihan’s business activities, the suspicion has to be that it had something to do with loyalties and/or special interests within The Academy of American Poets. It would not have needed anything special from Robin Beth Schaer anyway, there are so many ways influence can make itself felt, but even if she just knew about it she has compromised herself, I’m afraid. And I say that with great compassion for her, having lived a very long life and regretting many, many foolish things I’ve let happen by turning a blind eye or conveniently forgetting!

And did Robin Beth Schaer attend a Colrain Manuscript Conference too; did that help her like so many other “top poets” get the ear of the “top editors and publishers” that that high-end service provides? Of course I will never know that unless some brave Colrain participant lets me know, or Robin does herself, which would be even braver. And even if you did, dear Robin, you obviously haven’t done anything wrong by that either, just helped to stack the deck a bit more against the poets who weren’t there, who perhaps wouldn’t have wanted to be there, like me, or couldn’t have afforded it. You also will never do anything wrong subsequently if you always resist the temptation to advance the interests of either Jeffrey Levine or Joan Houlihan at The Academy, but that will be much harder once they become your publishers. I do hope you win the Snowbound Chapbook Series, but if you do you’re going to have to be very strong and very alert not to become part of a much wider problem!

The last Colrain publicity I saw proudly announced that the poetry books and/or chapbooks of no less than 16 Colrain participants had subsequently found publishers, and I’d say that’s a lot!

I’d also say it doesn’t bode well for poetry in America, and it certainly doesn’t bode well for me personally! And that’s also the main bone of contention between Joan Houlihan and myself, that not only is she associating with unsavory activities, but she’s gaining influence in unsavory ways. I would even call her own Blog a bit unsavory, at least if this page is anything to go by:

http://joanhoulihan.blogspot.com/2008/03/how-many-aholes-does-it-take-to-fill.html

“INVESTIGATIONS OF AND OPINIONS ON CONTEMPORARY POETRY,” she calls it—I’d say it sounds more like stalking, and even if one wins at stalking one’s humanity is lost!

Anyone at odds with Alan Cordle to this extent has got to have a lot to hide, as whatever you think of his methods he investigates not "opinions on contemporary poetry" but options, and she's clearly taken out a few too many of those for her own good. And of course, anyone who needs to take it out on someone's wife, and a fellow poet to boot, is clearly well below the belt!

Indeed, I'd say the lady doth protest way too much!

Christopher Woodman

Friday, April 25, 2008

Guest Writer: Matt Koeske Offers a Message to Christopher Woodman and Other Poets Outside of the Po-biz

Dear Christopher,

I'm very sorry that this has happened to you. The trumped up charges are a pretty clear indication that your banning was less a matter of what you wrote on Poets.org than what you represent in contrast to the ideology and tribal participation of the PoBiz establishment. You are an incompatible element with the "Utopian" ideal of a place like Poets.org. I know you from back in the Foetry days, and I see you as one of the most honorable, considerate, and affectionate people I've ever met. These qualities stand out in what I suspect is an online poetry world where most forum posters are in their 20s or maybe 30s (i.e., a post-adolescent peer competition environment). You have a sense of grace this is fully adult and very wise . . . and this quality is sadly not recognizable in the very adolescent poetry world today.

Equally foreign to the PoBiz (and one of its minor "cells" like Poets.org) is the attitude that holds ethics, honor, and integrity above ambition, undisciplined/unconsidered expression, and status-mongering. Again, this kind of honor comes from maturity. Although to the adolescently-minded poets of Poets.org and the PoBiz establishment today, your humanity must seem anachronistic, this really reflects a distinct lack of vision, depth, and mature perspective on their part. This lack of maturity (in the Jungian world, we might say it's a lack of initiation) has enormous impact on and implications for today's poetry. The Old Soul that was long a staple of poetry (just as much as its essential half, the New Soul or daring innovator) has become utterly alien to the poetry coming out of the PoBiz today. Your experience with the Poets.org forum has merely made you into an example of this great loss to the most ancient (and once sacred) literary art form.

Although I fully support you and Jennifer and agree that you should acknowledge and record all of these goings on for posterity or at least for public knowledge, I worry that the root of this unfair and adolescent usage of power in the Poets.org forum administration lies in the very ideology (or impaired ideology) I described above. It is good to stir up support and focus outrage on incidents like this, but I don't think it will change the attitudes and opinions of the people that run Poets.org or its forum. My recommendation is that we who care try to direct our outrage from incidents like this into a deeper and more detailed (and above all, well documented and absolutely fair) criticism of the PoBiz mentality. That is, we need, I feel, to take our energy and drive it into the investigation of the question "Why?" Why do so many PoBiz cogs and tools and "nobles" and "peasants" alike behave and think the way they do? Why do they have such a minimal grasp of ethics? Why are they so tribalistic, cronyistic, status-hungry? Why do they hold the various (never questioned) dogmas about poetry and poetry publication and poetry community that they do . . . and why do they refuse to question them? Why has the experience of "initiated" or mature adults with adult experiences and feelings and ideas eroded away from today's poetry?

I think that in the investigation of such questions, we will (or at least should) find that the poets who have gathered under the wing of the academic PoBiz establishment are, despite their misdeeds and apparent lack of fully evolved ethics or consciousness, really not much different than those who find themselves opposed and embattled with them. What I mean is that, poeting today involves a number of standard choices. Like, do I go to an MFA program or don't I? Do I seek publication by any means necessary or do I bide my time and hope to be "discovered" without networking or favor trading? Do I associate myself with people that are perhaps slightly "corrupt" and may require that I think and write more like them or do I go it alone and follow my own artistic vision? Do I dare to love and learn from writers who are not on the academic approved lists? There are hundreds, maybe thousands of questions like this that everyone seeking to write and publish (and maybe make at least part of a living off of) poetry faces. Most of these questions can and must be satisfied with Yes or No answers. At every fork in the road, taking one path excludes the possibility of taking the other (unless we are willing to backtrack, and that can be a whole new kind of grief).

I think that poets like some of the Poets.org forum staffers have made a number of choices in their quests to "become poets" that led them to their current state of impaired ethics and adolescent grasp of both complex ideas and relationship with others. When you or anyone else ask them now to consider ethics more closely or whether a poet's behavior matters, you are not asking them something that they have ready access to. They are not like you, a mature adult who has wandered up and down and around and through the various labyrinths of life. Rather, they are like rats in a maze that have kept moving forward on the impulse of short-term thinking and immediate gratification and lost site of the innumerable branching options that there are in life and in the evolution of a human personality. To ask them to consider ethics in a complex, long-term fashion is to ask them to go back to some very early part of their maze and start over.

And the truth is that back when they made those early decisions, they were children (at least psychologically), they were afraid and fragile and sought immediate rewards like comfort and protection. They had no idea that as they continued down these paths, this initially embracing and seemingly unconditional comfort and protection would cut them off from so much that is human. So when they are asked (as you have asked them) to look back to these early forks in their poeting road, they are terrified of what they might lose and of how fragile and confused they were back then. Essentially, you are asking them to individuate, to "grow up", to get initiated, to evolve . . . and from their perspective, you are asking them to do this just so a particular grievance or notion of yours can be validated. They don't understand that your particular grievances and interests have more-universal implications, implications that even would be meaningful to these PoBiz tribe members and also to human beings beyond the "small" (small in intellectual, emotional, and spiritual scope, more so than in actual population) world of poetry.

It is easiest for them to say, "Christopher Woodman is just a foolish and selfish old man who doesn't speak for anyone. He's an insignificant nobody and a nuisance. We, on the other hand, are a tribe, a group, a community, a society. We are right and Woodman is wrong, because we are numerous and connected and he is singular and disconnected." If they didn't say this (and of course, to say this is very childish, very prejudicial, and very offensive), then they would have to go back to the kindergarten of their rat maze and stick their thumbs in their mouths and still whimper for the Great Mommy of an institution like the PoBiz to swaddle them up and suckle and stroke them. And to face and rise above that would require them to be, like you, like Christopher Woodman, an individual who like all real individuals is forced to stand alone, to stand with integrity and honor (which must have first been hard won and painstakingly cultivated).

This kind of individuality, this dread of loneliness and lack of protection from the group is foreign to them. They are terrified of it (just as preadolescent children are terrified of the burden of adult responsibility when they begin to get a whiff of what that really means). The predicament you are in when trying to engage in ethical debate with these people is that, in order to face you, individual to individual, they would have to acknowledge their infantile fragility, fear, and smallness. Regrettably, one of the most attractive lures of poeting today (in the PoBiz age) is the potential to not be "small" or alone. The romantic notion of the poet is that, by force of individuality alone, s/he overcomes his or her initial smallness. Vision, talent, genius . . . are the romantic's medicine for the "disease" of smallness and anonymity. The PoBiz has developed an alternate system and branded its own "medicine" for the same disease poets have always struggled to overcome. This PoBiz "cure" is tribalistic aggrandizement and status-sharing. One has only to sacrifice to the tribe's specific gods and totems, accept its taboos, and stay in line, and a certain portion of medicine is handed out. All who abide can partake of the ritual of "status" to at least some small degree. Those who can work this system to their advantage (who have a talent for being able to do this), can get more of the curative PoBiz drug for the "dreadful condition of smallness and anonymity".

But, of course, it is this entire totemic, tribalistic system that affords these portionings of status medicine. And the old romantic notions of individualistic vision, talent, and genius are anathema to the totemic system of the PoBiz. The PoBiz system is really not fundamentally different than the situation of modern business in which we see conflict between corporate giants and small, independent businesses. What is sacrificed in actual integrity by corporatism is "made up for" with PR, with spin. In business this is generally a conscious decision . . . but the decision itself is totemized and considered an unquestionable Good. In poetry (where philosophies for living have not real need to be non-fanciful), it is perhaps less conscious, but true-believers in a lie are always the best liars.

All of this is terribly regrettable for the state of today's poetry. The qualities of poetry (and poeting) that you (and I and many others) admire and are outraged by the absence of today are not accidentally left out of the PoBiz dogmas and ideals. They are overtly and intentionally excised. They are the only real dangers to the power of the established PoBiz system. Their exclusion and elimination and tabooing are the first and greatest Commandment of PoBiz Law. Like true scapegoats or taboos, once the tribal elders drove them off into the Wilderness, any further mention of them was strictly forbidden and punishable in the most vicious and absolute of ways. So your simple questions about ethics are, for people like the Poets.org administrators (and all devoted members of the PoBiz) actually traitorous, sacrilegious, religious violations, sins . . . deadly sins and heresies. That is absurd, of course, even somewhat laughable . . . but that absurdity stands as one of the great pillars of the PoBiz and its pledge of allegiance.

For these PoBizzers to grant you the right of a voice (in their kingdom), the status of valid humanness, they would have to question the makeup of their entire totemic belief system, the entire structure on which they have risen or which has sheltered them from their infantile fears. Telling true believers that their god is a sham, a phony, a delusion is never going to win them over to your perspective. They have far too much riding on the unquestionability of their beliefs. If they are contented believers, they will mock, ignore, and/or swiftly reject you. If they are slightly more uncertain believers, they will feel compelled to destroy and make an example of you and your heresies . . . because questioning themselves is radically dangerous and likely to cause an inner rupture. There is no room in their minds or in their beliefs for tolerance and consideration of your Otherness.

I feel and worry that your attempts to introduce these ideas into PoBiz bastions (regardless of their tact, honor, or foundational correctness) cannot succeed. And I worry that, this failure being inevitable, you will be unnecessarily hurt and defiled by the way you have been and will be treated. And even as my blood boils, my heart also sinks to recognize this. It is unjust, but this particular injustice cannot be directly or linearly combated. You will never win a case against a PoBiz credo when the judge and jury are determined by the PoBiz. You cry out for justice, but justice will never be given to you . . . because the system of power the PoBiz uses and is, is not just, is not constructed with any sense of justice in mind. The only justice you will find is that which is inside you, that which you make. And you can bring it to the PoBiz, right up to its bejeweled gates, but I don't think you will be allowed to bring it inside the kingdom.

And I don't think you actually have to. Right on the outskirts you can hang your protest signs and raise your pickets and pass out your fliers . . . because there will always be a steady influx of potential PoBiz inductees trudging hungrily and longingly right through your encampment. And even if these inductees still choose to go inside, the seed you wish to plant can sometimes be planted with them. Not with the already-indoctrinated (who have too much to lose and to whom you are too alien). Some you will even persuade not to go in at all. And inside the walls of the PoBiz kingdom, occasional dissatisfaction will lead people to peer down into the outskirts and wonder if your ongoing protest and campaign might have some merit. Additionally, the occasional seeds you managed to plant (probably unconsciously) in the new inductees might find ways to take root and sprout inside the PoBiz walls, increasing dissent in a grassroots, evolutionary fashion. That is, by planting these seeds (or by devoting yourself to such seed planting outside the PoBiz kingdom) you increase the chance that even poets that pass through the indoctrination and perhaps even find their way to PoBiz success or status might someday be struck with a deep feeling of dissatisfaction or even disgust. A kind of "midlife crisis" of the poeting life, and these empowered individuals may be able to disrupt the inner structure of the PoBiz in ways people like you and me never would have the opportunity to do. So, it is of the greatest importance that these seeds have strong genes that can grow deep-rooted, resilient trees. When the dissident thought awaken in a PoBizzers mind, they have to be pernicious and impossible to entirely dismiss.

And this perniciousness is not impossible to create, because it is also the quality of all great poetry. Even if poetry isn't its medium, it is a poetic thing essentially. These seedling ideas need to be able to truly endanger the sanctity of the PoBiz mindset and conditioning. They can't be merely selfish wishes. To be truly dangerous and effective, they must be true.

It's a long-term strategy, but I think it is more functional than trying to forcibly convert those who are already deacons of the kingdom or more functional than trying to shame the high priests into submission from our esoteric, little pulpit in the excommunicated wilderness. At the very least, I suggest that this kind of long-term strategy be given equal energy and time as those shorter-term strategies that currently prevail among the PoBiz resistance.

Whatever the tack taken, let us always remember to keep our dignity and self-possession and honor and not throw them before hungry dogs like some unwanted table scraps. We can't do this and then convince the dogs it would be unethical to devour them. Don't let the fools and goons of the PoBiz shame you or take advantage of your immense decency and integrity.

My Very Best,
Matt Koeske

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(This post has been elevated, with permission from the author, from the comment section.)

Friday, April 4, 2008

Forum Thread: What is Cronyism in the Literary Community? (Discussion)

The following in-depth discussion, which discusses cronyism in general terms, is from Wikipedia*, and used in accordance with its GNU Free Documentation License.

Cronyism is partiality to long-standing friends, especially by appointing them to positions of authority, regardless of their qualifications. Hence, cronyism is contrary in practice and principle to meritocracy. Cronyism exists when the appointer and the beneficiary are in social contact; often, the appointer is inadequate to hold his or her own job or position of authority, and for this reason the appointer appoints individuals who will not try to weaken him or her, or express views contrary to those of the appointer. Politically, "cronyism" is derogatorily used. The word "crony" first appeared in 18th century London, believed by many to be derived from the Greek word χρόνιος (chronios), meaning "long-term", however, crony appears in the 1811 edition of Grose's Vulgar Tongue with a decidedly non-collegiate definition, placing it firmly in the cant of the underworld.[1] A less likely source for the words etymology is the Irish Language term Comh-Roghna (pron. ko-ronə), which translates to "close pals", or mutual friends.

Governments are particularly susceptible to accusations of cronyism, as they spend public money. Many democratic governments are encouraged to practice administrative transparency in accounting and contracting, however, there often is no clear delineation of when an appointment to government office is "cronyism". It is not unusual for a politician to surround him- or herself with highly-qualified subordinates, and to develop social, business, or political friendships leading to the appointment to office of friends, likewise in granting government contracts. In fact, the counsel of such friends is why the officeholder successfully obtained his or her powerful position — therefore, cronyism usually is easier to perceive than to demonstrate and prove.

The NHS is becomingly increasingly prone to Cronyism, most notably at NHS London, where a female inner circle close to the Chief Executive are favoured and in turn favour their friends. This is in direct opposition to the principles of its Single Equality Scheme.

In the private sector, cronyism exists in organizations, often termed 'the old boys club' or 'the golden circle', again the boundary between cronyism and 'networking' is difficult to delineate.

Moreover, cronyism describes relationships existing among mutual acquaintances private organizations where business, business information, and social interaction are exchanged among influential personnel. This is termed crony capitalism, and is an ethical breach of the principles of the market economy; in advanced societies, crony capitalism is a breach of market regulations, e.g. the Enron fraud is an extreme example of crony capitalism.

Given crony capitalism's nature, these dishonest business practices are frequently (yet not exclusively) found in societies with ineffective legal systems. Resultantly, there is an impetus upon the legislative branch of a government to ensure enforcement of the legal code capable of addressing and redressing private party manipulation of the economy by the involved businessmen and their government cronies.

The economic and social costs of cronyism are paid by society. In the form of reduced business opportunity for the majority of the population, reduced competition in the market place, inflated consumer goods prices, decreased economic performance, inefficient business investment cycles, reduced motivation in affected organizations, and the diminution of economically productive activity. A practical cost of cronyism is manifest in the bad workmanship of public and private community projects. Cronyism is self-generating, cronyism then begets a culture of cronyism. This can only be apprehended by a comprehensive, effective, and enforced legal code, and empowered government agencies who can effect prosecutions in the courts.

All appointments that are suspected of being cronyism are controversial. The appointed party may choose to either suppress disquiet or ignore it, depending upon the society's level of freedom of expression and individual personal liberty.

Some instances of cronyism are readily transparent. As to others, it is only in hindsight that the qualifications of the alleged "crony" must be evaluated.

Cronyism can exist anywhere, in both free and not-so-free states. In general, authoritarian and totalitarian regimes are more vulnerable to acts of cronyism simply because the officeholders are not accountable, and all office holders generally come from a similar background (e.g. all members of the ruling party).

Some situations and examples include:

-----George Washington was criticized for appointing Alexander Hamilton as the first U.S. Secretary of the Treasury after Hamilton had served as Washington's aide during the American Revolutionary War. Nonetheless, the contributions Hamilton made to stabilizing the currency and securing outside capital for the fledgling democracy are well known. Referring to Hamilton's appointment as cronyism seems particularly disputable in retrospect, although it is only after looking at his accomplishments that this determination can be made.

-----Appointing cronies to positions can also be used to advance the agenda of the person making the appointment. And it can also spectacularly fail to do so. In medieval England, King Henry II arranged the appointment of his good friend Thomas Becket to be Archbishop of Canterbury. Henry believed that Becket would promote the king's agenda but was dismayed to see Becket adhere to his own conscience. Becket eventually excommunicated the king and the king allegedly incited three knights to murder Becket in response.

-----Examples of cronyism can be found in a number of current and former communist states. The cultural revolution in China was initially popular due to the perception that Mao Zedong was ridding the state of a number of officials who had obtained their positions by dint of friendship with communist authorities. In Russia, President Vladimir Putin has gone after a number of former communist officials who held office through their connections to party officials.[1]

-----Independent of the world of politics, the business and labor community have also seen charges of cronyism. President Theodore Roosevelt led an attack on the cronyism against the oil, steel, banking and other businesses that had conspired to set prices by maintaining virtual monopolies through cronyism. Through interlocking directorates it was not uncommon to see various corporate boards share members among each other.

-----One of the most severe cases of cronyism occurred during the Kennedy administration in the United States. Robert S. McNamara was appointed by President John F. Kennedy without any experience, a point that McNamara made clear in the 2003 documentary The Fog of War. McNamara's role in the disastrous Vietnam War was crucial and he is often considered "the architect of the Vietnam War". Kennedy originally offered him a job as United States Secretary of Treasury and when McNamara admitted to having no experience he gave him Secretary of Defense. Even though McNamara confessed no experience in defense, Kennedy insisted he accept the position.

-----Most recently, US President George W. Bush was accused of cronyism after the nomination of Harriet Miers to the US Supreme Court.[2] Miers had no previous judicial experience and demonstrated little knowledge of constitutional law, and her selection was rejected by many conservatives and liberals. The appointment of Michael D. Brown to the head of FEMA could also be considered a case of cronyism as Brown had no experience pertaining to his job.[3] [4] The administration has also been accused of cronyism for reducing Scooter Libby's sentence in the Plame Affair.[5]

-----An example of cronyism, with devastating effects, is seen in present day South Africa: The appointment of Manto Tshabalala-Msimang as the country's minister of health. Thabo Mbeki, widely known as an AIDS dissident, practices cronyism by keeping her in her position. She was widely seen as following an AIDS policy in line with the ideas of South African President Thabo Mbeki, who for a time expressed public doubts about whether HIV caused AIDS. In 2002, the South African Cabinet affirmed the policy that "HIV causes AIDS" which as an official statement silenced any further speculation on this topic by Cabinet members, including the President. In August of 2003 the cabinet also voted to make anti-retrovirals available in the public sector, and instructed Tshabalala-Msimang to carry out the policy. South Africa has the highest rate of HIV infections in the world. Nozizwe Madlala-Routledge, on the other hand was fired from her position as deputy minister of health. She expressed long-term disharmony and disagreement on HIV/AIDS and other issues between herself and the Minister of Health (Dr. Manto Tshabalala-Msimang)[9];

-----Paul Wolfowitz was mentioned[6] in connection with cronyism after the World Bank committee charged him with violation of ethical and governance rules as bank president by showing favoritism to his companion in 2005. The report noted that Mr Wolfowitz broke bank rules and the ethical obligations in his contract, and that he tried to hide the salary and promotion package awarded to Shaha Riza, his companion and a bank employee, from top legal and ethics officials in the months after he became bank president in 2005.
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*External Link

SuperNews: Hurricane Katrina - A political flash cartoon about the cronyism surrounding Michael D. Brown and Hurricane Katrina.

*References

^ "Crony: An intimate companion, a comrade; also a confederate in a robbery" - Classical Dictionary of the Vulgar Tongue, 1785 [1811]. Grose

^ BillOReilly.com: The O'Reilly Factor Flash

^ Cronyism

^ Adam Bellow on Nepotism, Cronyism & Harriet Miers on National Review Online

^ BBC NEWS Americas Bush not ruling out Libby pardon

^ The Guardian - Wolfowitz under fire after partner receives promotion and pay rise
Retrieved from "http://en.wikipedia.org/wiki/Cronyism"

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*Wikipedia Bibliographic details for this version of "Cronyism"

Page name: Cronyism

Author: Wikipedia contributors

Publisher: Wikipedia, The Free Encyclopedia.

Date of last revision: 26 March 2008 07:20 UTC

Date retrieved: 4 April 2008 16:07 UTC

Permanent link: http://en.wikipedia.org/w/index.php?title=Cronyism&oldid=201008294

Page Version ID: 201008294

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For discussion:

-----Does cronyism exist in the literary community?

-----Do you feel that you have been discriminated against due to cronyism? If so, how?

-----Is cronyism in the literary community institutionalized (at least to a certain extent)?

-----Are outsider poets and writers punished, shunned, and silenced if they disagree with the majority viewpoint? If so, how?

-----Are MFA programs hotbeds of cronyism? Examples?


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