From the daguerreotype taken at Mount Holyoke, December 1846 or early 1847. It is the only authenticated portrait of Emily Dickinson later than childhood.
Wikipedia _______________________________________________________
My Life had stood -- a Loaded Gun -- In Corners -- till a Day The Owner passed -- identified -- And carried Me away --
And now We roam in Sovereign Woods -- And now We hunt the Doe -- And every time I speak for Him -- The Mountains straight reply --
And do I smile, such cordial light Upon the Valley glow -- It is as a Vesuvian face Had let its pleasure through --
And when at Night - Our good Day done -- I guard My Master's Head -- 'Tis better than the Eider-Duck's Deep Pillow -- to have shared --
To foe of His -- I'm deadly foe -- None stir the second time -- On whom I lay a Yellow Eye -- Or an emphatic Thumb --
Though I than He - may longer live He longer must -- than I -- For I have but the power to kill, Without -- the power to die --
A letter from Emily Dickinson to Thomas Wentworth Higginson, a writer for the Atlantic Monthly, in which she responded to his "Letter to a Young Contributor":
in uniform; he was colonel of the First South Carolina Volunteers from 1862 to 1864. ___________________________________________________________________
Mr Higginson,
Are you too deeply occupied to say if my Verse is alive?
The Mind is so near itself – it cannot see, distinctly – and I have none to ask –
Should you think it breathed – and had you the leisure to tell me, I should feel quick gratitude –
If I make the mistake – that you dared to tell me – would give me sincerer honor – toward you –
I enclose my name – asking you, if you please – Sir – to tell me what is true?
That you will not betray me – it is needless to ask – since Honor is it's [sic] own pawn –
Higginson's essay, in which he urged aspiring writers to "Charge your style with life," contained practical advice to aspiring writers wishing to break into print. He did not realize that Dickinson's work had already seen print.
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