Showing posts with label 19th century literature. Show all posts
Showing posts with label 19th century literature. Show all posts

Friday, December 5, 2008

The Chambered Nautilus (Oliver Wendell Holmes, Sr., 1809-1894)

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This is the ship of pearl, which, poets feign,
Sails the unshadowed main,--
The venturous bark that flings
On the sweet summer wind its purpled wings
In gulfs enchanted, where the Siren sings,
And coral reefs lie bare,
Where the cold sea-maids rise to sun their streaming hair.

Its webs of living gauze no more unfurl;
Wrecked is the ship of pearl!
And every chambered cell,
Where its dim dreaming life was wont to dwell,
As the frail tenant shaped his growing shell,
Before thee lies revealed,--
Its irised ceiling rent, its sunless crypt unsealed!

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EnjoysReality

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Year after year beheld the silent toil
That spread his lustrous coil;
Still, as the spiral grew,
He left the past year's dwelling for the new,
Stole with soft step its shining archway through,
Built up its idle door,
Stretched in his last-found home, and knew the old no more.

Thanks for the heavenly message brought by thee,
Child of the wandering sea,
Cast from her lap, forlorn!
From thy dead lips a clearer note is born
Than ever Triton blew from wreathed horn;
While on mine ear it rings,
Through the deep caves of thought I hear a voice that sings:--

Build thee more stately mansions, O my soul,
As the swift seasons roll!
Leave thy low-vaulted past!
Let each new temple, nobler than the last,
Shut thee from heaven with a dome more vast,
Till thou at length art free,
Leaving thine outgrown shell by life's unresting sea!
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Thursday, December 4, 2008

The Northern Seas (William Howitt, 1792-1879)

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Northern Seas, Vilhelm Melbye, 1870
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Up! Up! let us a voyage take;
Why sit we here at ease?
Find us a vessel tight and snug,
Bound for the Northern Seas.

I long to see the Northern Lights,
With their rushing splendors, fly,
Like living things, with flaming wings,
Wide o'er the wondrous sky.

I long to see those icebergs vast,
With heads all crowned with snow;
Whose green roots sleep in the awful deep,
Two hundred fathoms low.

I long to hear the thundering crash
Of their terrific fall;
And the echoes from a thousand cliffs,
Like lonely voices call.

There shall we see the fierce white bear,
The sleepy seals aground,
And the spouting whales that to and fro
Sail with a dreary sound.

There may we tread on depths of ice,
That the hairy mammoth hide;
Perfect as when, in times of old,
The mighty creature died.

And while the unsetting sun shines on
Through the still heaven's deep blue,
We'll traverse the azure waves, the herds
Of the dread sea-horse to view.

We'll pass the shores of solemn pine,
Where wolves and black bears prowl,
And away to the rocky isles of mist
To rouse the northern fowl.

Up there shall start ten thousand wings,
With a rushing, whistling din;
Up shall the auk and fulmar start--
All but the fat penquin.

And there, in the wastes of the silent sky,
With the silent earth below,
We shall see far off to his lonely rock
The lonely eagle go.

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Rough Seas, Iceland



etmackay

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Wednesday, December 3, 2008

Happy 4th Birthday, Rhia! (A Little YouTube and Rimbaud)

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We have clearance, Clarence. Roger, Roger.

Rhia at the controls
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VOWELS, by Arthur Rimbaud, 1854-1891

A Black, E white, I red, O blue, U green: vowels,
I shall tell, one day, of your mysterious origins:
A, black velvety jacket of brilliant flies
Which buzz around cruel smells, gulfs of shadow

E, whiteness of vapors and of tents,
Lances of proud glaciers, white kings,
shivers of cow-parsley;
I, purples, spat blood, smile of beautiful lips
In anger or in the raptures of penitence;

U, waves, divine shudderings of viridian seas,
The peace of pastures dotted with animals, the peace
of the furrows
Which alchemy prints on broad studious foreheads;

O, sublime Trumpet full of strange piercing sounds,
Silences crossed by Worlds and by Angels:
- O the Omega, the violet ray of Her Eyes.
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Happy Birthday!



MaxBabEz

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Strapped in and ready to go.
Strapped in and ready to go



VOYELLES (Arthur Rimbaud, original French)

A noir, E blanc, I rouge, U vert, O bleu : voyelles,
Je dirai quelque jour vos naissances latentes :
A, noir corset velu des mouches iclatantes
Qui bombinent autour des puanteurs cruelles,

Golfes d'ombre ; E, candeur des vapeurs et des tentes,
Lances des glaciers fiers, rois blancs, frissons
d'ombelles ;
I, pourpres, sang crachi, rire des lhvres belles
Dans la colhre ou les ivresses pinitentes ;

U, cycles, vibrements divins des mers virides,
Paix des pbtis semis d'animaux, paix des rides
Que l'alchimie imprime aux grands fronts studieux ;

O, suprjme Clairon plein des strideurs itranges,
Silence traversis des Mondes et des Anges:
- O l'Omiga, rayon violet de Ses Yeux!

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"Don't Worry, Be Happy" (Bobby McFerrin)
Cute and Funny Animals



Anemone90
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Have a happy birthday, Sweetie!

I'm thinking of you on this very special day.

Four years ago, Grandpa and I were in Macedonia, awaiting your birth and wishing we could have been there to be present for your grand entrance into the world.

Always reach high!

Up and away


See you at your birthday party!

Love, Grandma Jennifer and Grandpa Jerry

P.S. You're never too young for great poetry.

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Photo credits: From sigmeyer's myspace page.
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Monday, December 1, 2008

A Mistaken Charity (Mary Eleanor Wilkins Freeman)

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Image of Mary E. Wilkins Freeman, from frontispiece of her novel Jane Field, published in 1892
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There were in a green field a little, low, weather-stained cottage, with a foot-path leading to it from the highway several rods distant, and two old women — one with a tin pan and old knife searching for dandelion greens among the short young grass, and the other sitting on the door-step watching her, or, rather, having the appearance of watching her.

“Air there enough for a mess, Harriét?” asked the old woman on the door-step. She accented oddly the last syllable of the Harriet, and there was a curious quality in her feeble, cracked old voice. Besides the question denoted by the arrangement of her words and the rising inflection, there was another, broader and subtler, the very essence of all questioning, in the tone of her voice itself; the cracked, quavering notes that she used reached out of themselves, and asked, and groped like fingers in the dark. One would have known by the voice that the old woman was blind.

The old woman on her knees in the grass searching for dandelions did not reply; she evidently had not heard the question. So the old woman on the door-step, after waiting a few minutes with her head turned expectantly, asked again, varying her question slightly, and speaking louder:

“Air there enough for a mess, do ye s'pose, Harriét?”

The old woman in the grass heard this time. She rose slowly and laboriously; the effort of straightening out the rheumatic old muscles was evidently a painful one; then she eyed the greens heaped up in the tin pan, and pressed them down with her hand.

“Wa'al, I don't know, Charlotte,” she replied, hoarsely. “There's plenty on 'em here, but I 'ain't got near enough for a mess; they do bile down so when you get 'em in the pot; an' it's all I can do to bend my j'ints enough to dig 'em.”

“I'd give consider'ble to help ye, Harriét,” said the old woman on the door-step.

But the other did not hear her; she was down on her knees in the grass again, anxiously spying out the dandelions.

So the old woman on the door-step crossed her little shrivelled hands over her calico knees, and sat quite still, with the soft spring wind blowing over her.

The old wooden door-step was sunk low down among the grasses, and the whole house to which it belonged had an air of settling down and mouldering into the grass as into its own grave.

When Harriet Shattuck grew deaf and rheumatic, and had to give up her work as tailoress, and Charlotte Shattuck lost her eyesight, and was unable to do any more sewing for her livelihood, it was a small and trifling charity for the rich man who held a mortgage on the little house in which they had been born and lived all their lives to give them the use of it, rent and interest free. He might as well have taken credit to himself for not charging a squirrel for his tenement in some old decaying tree in his woods.

So ancient was the little habitation, so wavering and mouldering, the hands that had fashioned it had lain still so long in their graves, that it almost seemed to have fallen below its distinctive rank as a house. Rain and snow had filtered through its roof, mosses had grown over it, worms had eaten it, and birds built their nests under its eaves; nature had almost completely overrun and obliterated the work of man, and taken her own to herself again, till the house seemed as much a natural ruin as an old tree-stump.

The Shattucks had always been poor people and common people; no especial grace and refinement or fine ambition had ever characterized any of them; they had always been poor and coarse and common. The father and his father before him had simply lived in the poor little house, grubbed for their living, and then unquestioningly died. The mother had been of no rarer stamp, and the two daughters were cast in the same mould.

After their parents' death Harriet and Charlotte had lived along in the old place from youth to old age, with the one hope of ability to keep a roof over their heads, covering on their backs, and victuals in their mouths — an all-sufficient one with them.

Neither of them had ever had a lover; they had always seemed to repel rather than attract the opposite sex. It was not merely because they were poor, ordinary, and homely; there were plenty of men in the place who would have matched them well in that respect; the fault lay deeper — in their characters. Harriet, even in her girlhood, had a blunt, defiant manner that almost amounted to surliness, and was well calculated to alarm timid adorers, and Charlotte had always had the reputation of not being any too strong in her mind.

Harriet had gone about from house to house doing tailor-work after the primitive country fashion, and Charlotte had done plain sewing and mending for the neighbors. They had been, in the main, except when pressed by some temporary anxiety about their work or the payment thereof, happy and contented, with that negative kind of happiness and contentment which comes not from gratified ambition, but a lack of ambition itself. All that they cared for they had had in tolerable abundance, for Harriet at least had been swift and capable about her work. The patched, mossy old roof had been kept over their heads, the coarse, hearty food that they loved had been set on their table, and their cheap clothes had been warm and strong.

After Charlotte's eyes failed her, and Harriet had the rheumatic fever, and the little hoard of earnings went to the doctors, times were harder with them, though still it could not be said that they actually suffered.

When they could not pay the interest on the mortgage they were allowed to keep the place interest free; there was as much fitness in a mortgage on the little house, anyway, as there would have been on a rotten old apple-tree; and the people about, who were mostly farmers, and good friendly folk, helped them out with their living. One would donate a barrel of apples from his abundant harvest to the two poor old women, one a barrel of potatoes, another a load of wood for the winter fuel, and many a farmer's wife had bustled up the narrow foot-path with a pound of butter, or a dozen fresh eggs, or a nice bit of pork. Besides all this, there was a tiny garden patch behind the house, with a straggling row of currant bushes in it, and one of gooseberries, where Harriet contrived every year to raise a few pumpkins, which were the pride of her life. On the right of the garden were two old apple-trees, a Baldwin and a Porter, both yet in a tolerably good fruit-bearing state.

The delight which the two poor old souls took in their own pumpkins, their apples and currants, was indescribable. It was not merely that they contributed largely towards their living; they were their own, their private share of the great wealth of nature, the little taste set apart for them alone out of her bounty, and worth more to them on that account, though they were not conscious of it, than all the richer fruits which they received from their neighbors' gardens.

This morning the two apple-trees were brave with flowers, the currant bushes looked alive, and the pumpkin seeds were in the ground. Harriet cast complacent glances in their direction from time to time, as she painfully dug her dandelion greens. She was a short, stoutly built old woman, with a large face coarsely wrinkled, with a suspicion of a stubble of beard on the square chin.

When her tin pan was filled to her satisfaction with the sprawling, spidery greens, and she was hobbling stiffly towards her sister on the door-step, she saw another woman standing before her with a basket in her hand.

“Good-morning, Harriet,” she said, in a loud, strident voice, as she drew near. “I've been frying some doughnuts, and I brought you over some warm.”

“I've been tellin' her it was real good in her,” piped Charlotte from the door-step, with an anxious turn of her sightless face towards the sound of her sister's footstep.

Harriet said nothing but a hoarse “Good-mornin', Mis' Simonds.” Then she took the basket in her hand, lifted the towel off the top, selected a doughnut, and deliberately tasted it.

“Tough,” said she. “I s'posed so. If there is anything I 'spise on this airth it's a tough doughnut.”

“Oh, Harriét!” said Charlotte, with a frightened look.

“They air tough,” said Harriet, with hoarse defiance, “and if there is anything I 'spise on this airth it's a tough doughnut.”

The woman whose benevolence and cookery were being thus ungratefully received only laughed. She was quite fleshy, and had a round, rosy, determined face.

“Well, Harriet,” said she, “I am sorry they are tough, but perhaps you had better take them out on a plate, and give me my basket. You may be able to eat two or three of them if they are tough.”

“They air tough — turrible tough,” said Harriet, stubbornly; but she took the basket into the house and emptied it of its contents nevertheless.

“I suppose your roof leaked as bad as ever in that heavy rain day before yesterday?” said the visitor to Harriet, with an inquiring squint towards the mossy shingles, as she was about to leave with her empty basket.

“It was turrible,” replied Harriet, with crusty acquiescence — “turrible. We had to set pails an' pans everywheres, an' move the bed out.”

“Mr. Upton ought to fix it.”

“There ain't any fix to it; the old ruff ain't fit to nail new shingles on to; the hammerin' would bring the whole thing down on our heads,” said Harriet, grimly.

“Well, I don't know as it can be fixed, it's so old. I suppose the wind comes in bad around the windows and doors too?”

“It's like livin' with a piece of paper, or mebbe a sieve, 'twixt you an' the wind an' the rain,” quoth Harriet, with a jerk of her head.

“You ought to have a more comfortable home in your old age,” said the visitor, thoughtfully.

“Oh, it's well enough,” cried Harriet, in quick alarm, and with a complete change of tone; the woman's remark had brought an old dread over her. “The old house 'll last as long as Charlotte an' me do. The rain ain't so bad, nuther is the wind; there's room enough for us in the dry places, an' out of the way of the doors an' windows. It's enough sight better than goin' on the town.” Her square, defiant old face actually looked pale as she uttered the last words and stared apprehensively at the woman.

“Oh, I did not think of your doing that,” she said, hastily and kindly. “We all know how you feel about that, Harriet, and not one of us neighbors will see you and Charlotte go to the poorhouse while we've got a crust of bread to share with you.”

Harriet's face brightened. “Thank ye, Mis' Simonds,” she said, with reluctant courtesy. “I'm much obleeged to you an' the neighbors. I think mebbe we'll be able to eat some of them doughnuts if they air tough,” she added, mollifyingly, as her caller turned down the foot-path.

“My, Harriét,” said Charlotte, lifting up a weakly, wondering, peaked old face, “what did you tell her them doughnuts was tough fur?”

“Charlotte, do you want everybody to look down on us, an' think we ain't no account at all, just like any beggars, 'cause they bring us in vittles?” said Harriet, with a grim glance at her sister's meek, unconscious face.

“No, Harriét,” she whispered.

“Do you want to go to the poor-house?”

“No, Harriét.” The poor little old woman on the door-step fairly cowered before her aggressive old sister.

“Then don't hender me agin when I tell folks their doughnuts is tough an' their pertaters is poor. If I don't kinder keep up an' show some sperrit, I sha'n't think nothing of myself, an' other folks won't nuther, and fust thing we know they'll kerry us to the poorhouse. You'd 'a been there before now if it hadn't been for me, Charlotte.”

Charlotte looked meekly convinced, and her sister sat down on a chair in the doorway to scrape her dandelions.

“Did you git a good mess, Harriét?” asked Charlotte, in a humble tone.

“Toler'ble.”

“They'll be proper relishin' with that piece of pork Mis' Mann brought in yesterday. O Lord, Harriét, it's a chink!”

Harriet sniffed.

Her sister caught with her sensitive ear the little contemptuous sound. “I guess,” she said, querulously, and with more pertinacity than she had shown in the matter of the doughnuts, “that if you was in the dark, as I am, Harriét, you wouldn't make fun an' turn up your nose at chinks. If you had seen the light streamin' in all of a sudden through some little hole that you hadn't known of before when you set down on the door-step this mornin', and the wind with the smell of the apple blows in it came in your face, an' when Mis' Simonds brought them hot doughnuts, an' when I thought of the pork an' greens jest now — O Lord, how it did shine in! An' it does now. If you was me, Harriét, you would know there was chinks.”

Tears began starting from the sightless eyes, and streaming pitifully down the pale old cheeks.

Harriet looked at her sister, and her grim face softened. “Why, Charlotte, hev it that thar is chinks if you want to. Who cares?”

“Thar is chinks, Harriét.”

“Wa'al, thar is chinks, then. If I don't hurry, I sha'n't get these greens in in time for dinner.”

When the two old women sat down complacently to their meal of pork and dandelion greens in their little kitchen they did not dream how destiny slowly and surely was introducing some new colors into their web of life, even when it was almost completed, and that this was one of the last meals they would eat in their old home for many a day. In about a week from that day they were established in the “Old Ladies' Home” in a neighboring city. It came about in this wise: Mrs. Simonds, the woman who had brought the gift of hot doughnuts, was a smart, energetic person, bent on doing good, and she did a great deal. To be sure, she always did it in her own way. If she chose to give hot doughnuts, she gave hot doughnuts; it made not the slightest difference to her if the recipients of her charity would infinitely have preferred ginger cookies. Still, a great many would like hot doughnuts, and she did unquestionably a great deal of good.

She had a worthy coadjutor in the person of a rich and childless elderly widow in the place. They had fairly entered into a partnership in good works, with about an equal capital on both sides, the widow furnishing the money, and Mrs. Simonds, who had much the better head of the two, furnishing the active schemes of benevolence.

The afternoon after the doughnut episode she had gone to the widow with a new project, and the result was that entrance fees had been paid, and old Harriet and Charlotte made sure of a comfortable home for the rest of their lives. The widow was hand in glove with officers of missionary boards and trustees of charitable institutions. There had been an unusual mortality among the inmates of the “Home” this spring, there were several vacancies, and the matter of the admission of Harriet and Charlotte was very quickly and easily arranged. But the matter which would have seemed the least difficult — inducing the two old women to accept the bounty which Providence, the widow, and Mrs. Simonds were ready to bestow on them — proved the most so. The struggle to persuade them to abandon their tottering old home for a better was a terrible one. The widow had pleaded with mild surprise, and Mrs. Simonds with benevolent determination; the counsel and reverend eloquence of the minister had been called in; and when they yielded at last it was with a sad grace for the recipients of a worthy charity.

It had been hard to convince them that the “Home” was not an almshouse under another name, and their yielding at length to anything short of actual force was only due probably to the plea, which was advanced most eloquently to Harriet, that Charlotte would be so much more comfortable.

The morning they came away, Charlotte cried pitifully, and trembled all over her little shrivelled body. Harriet did not cry. But when her sister had passed out the low, sagging door she turned the key in the lock, then took it out and thrust it slyly into her pocket, shaking her head to herself with an air of fierce determination.

Mrs. Simonds's husband, who was to take them to the depot, said to himself, with disloyal defiance of his wife's active charity, that it was a shame, as he helped the two distressed old souls into his light wagon, and put the poor little box, with their homely clothes in it, in behind.

Mrs. Simonds, the widow, the minister, and the gentleman from the “Home” who was to take charge of them, were all at the depot, their faces beaming with the delight of successful benevolence. But the two poor old women looked like two forlorn prisoners in their midst. It was an impressive illustration of the truth of the saying “that it is more blessed to give than to receive.”

Well, Harriet and Charlotte Shattuck went to the “Old Ladies' Home” with reluctance and distress. They stayed two months, and then — they ran away.

The “Home” was comfortable, and in some respects even luxurious; but nothing suited those two unhappy, unreasonable old women.

The fare was of a finer, more delicately served variety than they had been accustomed to; those finely flavored nourishing soups for which the “Home” took great credit to itself failed to please palates used to common, coarser food.

“O Lord, Harriét, when I set down to the table here there ain't no chinks,” Charlotte used to say. “If we could hev some cabbage, or some pork an' greens, how the light would stream in!”

Then they had to be more particular about their dress. They had always been tidy enough, but now it had to be something more; the widow, in the kindness of her heart, had made it possible, and the good folks in charge of the “Home,” in the kindness of their hearts, tried to carry out the widow's designs.

But nothing could transform these two unpolished old women into two nice old ladies. They did not take kindly to white lace caps and delicate neckerchiefs. They liked their new black cashmere dresses well enough, but they felt as if they broke a commandment when they put them on every afternoon. They had always worn calico with long aprons at home, and they wanted to now; and they wanted to twist up their scanty gray locks into little knots at the back of their heads, and go without caps, just as they always had done.

Charlotte in a dainty white cap was pitiful, but Harriet was both pitiful and comical. They were totally at variance with their surroundings, and they felt it keenly, as people of their stamp always do. No amount of kindness and attention — and they had enough of both — sufficed to reconcile them to their new abode. Charlotte pleaded continually with her sister to go back to their old home.

“O Lord, Harriét,” she would exclaim (by the way, Charlotte's “O Lord,” which, as she used it, was innocent enough, had been heard with much disfavor in the “Home,” and she, not knowing at all why, had been remonstrated with concerning it), “let us go home. I can't stay here no ways in this world. I don't like their vittles, an' I don't like to wear a cap; I want to go home and do different. The currants will be ripe, Harriét. O Lord, thar was almost a chink, thinking about 'em. I want some of 'em; an' the Porter apples will be gittin' ripe, an' we could have some apple-pie. This here ain't good; I want merlasses fur sweeting. Can't we get back no ways, Harriét? It ain't far, an' we could walk, an' they don't lock us in, nor nothin'. I don't want to die here; it ain't so straight up to heaven from here. O Lord, I've felt as if I was slantendicular from heaven ever since I've been here, an' it's been so awful dark. I ain't had any chinks. I want to go home, Harriét.”

“We'll go to-morrow mornin',” said Harriet, finally; “we'll pack up our things an' go; we'll put on our old dresses, an' we'll do up the new ones in bundles, an' we'll jest shy out the back way to-morrow mornin'; an' we'll go. I kin find the way, an' I reckon we kin git thar, if it is fourteen mile. Mebbe somebody will give us a lift.”

And they went. With a grim humor Harriet hung the new white lace caps with which she and Charlotte had been so pestered, one on each post at the head of the bedstead, so they would meet the eyes of the first person who opened the door. Then they took their bundles, stole slyly out, and were soon on the high-road, hobbling along, holding each other's hands, as jubilant as two children, and chuckling to themselves over their escape, and the probable astonishment there would be in the “Home” over it.

“O Lord, Harriét, what do you s'pose they will say to them caps?” cried Charlotte, with a gleeful cackle.

“I guess they'll see as folks ain't goin' to be made to wear caps agin their will in a free kentry,” returned Harriet, with an echoing cackle, as they sped feebly and bravely along.

The “Home” stood on the very outskirts of the city, luckily for them. They would have found it a difficult undertaking to traverse the crowded streets. As it was, a short walk brought them into the free country road — free comparatively, for even here at ten o'clock in the morning there was considerable travelling to and from the city on business or pleasure.

People whom they met on the road did not stare at them as curiously as might have been expected. Harriet held her bristling chin high in air, and hobbled along with an appearance of being well aware of what she was about, that led folks to doubt their own first opinion that there was something unusual about the two old women.

Still their evident feebleness now and then occasioned from one and another more particular scrutiny. When they had been on the road a half-hour or so, a man in a covered wagon drove up behind them. After he had passed them, he poked his head around the front of the vehicle and looked back. Finally he stopped, and waited for them to come up to him.

“Like a ride, ma'am?” said he, looking at once bewildered and compassionate.

“Thankee,” said Harriet, “we'd be much obleeged.”

After the man had lifted the old women into the wagon, and established them on the back seat, he turned around, as he drove slowly along, and gazed at them curiously.

“Seems to me you look pretty feeble to be walking far,” said he. “Where were you going?”

Harriet told him with an air of defiance.

“Why,” he exclaimed, “it is fourteen miles out. You could never walk it in the world. Well, I am going within three miles of there, and I can go on a little farther as well as not. But I don't see — Have you been in the city?”

“I have been visitin' my married darter in the city,” said Harriet, calmly.

Charlotte started, and swallowed convulsively.

Harriet had never told a deliberate falsehood before in her life, but this seemed to her one of the tremendous exigencies of life which justify a lie. She felt desperate. If she could not contrive to deceive him in some way, the man might turn directly around and carry Charlotte and her back to the “Home” and the white caps.

“I should not have thought your daughter would have let you start for such a walk as that,” said the man. “Is this lady your sister? She is blind, isn't she? She does not look fit to walk a mile.”

“Yes, she's my sister,” replied Harriet, stubbornly: “an' she's blind; an' my darter didn't want us to walk. She felt reel bad about it. But she couldn't help it. She's poor, and her husband's dead, an' she's got four leetle children.”

Harriet recounted the hardships of her imaginary daughter with a glibness that was astonishing. Charlotte swallowed again.

“Well,” said the man, “I am glad I overtook you, for I don't think you would ever have reached home alive.”

About six miles from the city an open buggy passed them swiftly. In it were seated the matron and one of the gentlemen in charge of the “Home.” They never thought of looking into the covered wagon — and indeed one can travel in one of those vehicles, so popular in some parts of New England, with as much privacy as he could in his tomb. The two in the buggy were seriously alarmed, and anxious for the safety of the old women, who were chuckling maliciously in the wagon they soon left far behind. Harriet had watched them breathlessly until they disappeared on a curve of the road; then she whispered to Charlotte.

A little after noon the two old women crept slowly up the foot-path across the field to their old home.

“The clover is up to our knees,” said Harriet; “an' the sorrel and the white-weed; an' there's lots of yaller butterflies.”

“O Lord, Harriét, thar's a chink, an' I do believe I saw one of them yaller butterflies go past it,” cried Charlotte, trembling all over, and nodding her gray head violently.

Harriet stood on the old sunken door-step and fitted the key, which she drew triumphantly from her pocket, in the lock, while Charlotte stood waiting and shaking behind her.

Then they went in. Everything was there just as they had left it. Charlotte sank down on a chair and began to cry. Harriet hurried across to the window that looked out on the garden.

“The currants air ripe,” said she; “an' them pumpkins hev run all over everything.”

“O Lord, Harriét,” sobbed Charlotte, “thar is so many chinks that they air all runnin' together!”

--From A Humble Romance and Other Stories (Harper and Brothers; New York: 1887)

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Sunday, November 30, 2008

A Narrow Fellow in the Grass (Emily Dickinson)

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Emily Dickinson, circa 1850
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A narrow fellow in the grass
Occasionally rides;
You may have met him,--did you not,
His notice sudden is.

The grass divides as with a comb,
A spotted shaft is seen;
And then it closes at your feet
And opens further on.




He likes a boggy acre,
A floor too cool for corn.
Yet when a child, and barefoot,
I more than once, at morn,

Have passed, I thought, a whip-lash
Unbraiding in the sun,--
When, stooping to secure it,
It wrinkled, and was gone.

Several of nature's people
I know, and they know me;
I feel for them a transport
Of cordiality;

But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone.
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Friday, November 28, 2008

A bird came down the walk (Emily Dickinson)

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A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.

And then he drank a dew
From a convenient grass,
And then hopped sidewise to the wall
To let a beetle pass.

He glanced with rapid eyes
That hurried all abroad,--
They looked like frightened beads, I thought;
He stirred his velvet head

Like one in danger; cautious,
I offered him a crumb,
And he unrolled his feathers
And rowed him softer home

Than oars divide the ocean,
Too silver for a seam,
Or butterflies, off banks of noon,
Leap, plashless, as they swim.
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Thursday, November 27, 2008

Thanksgiving Day (Lydia Maria Child)

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Lydia Maria Child
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Over the river, and through the wood,
to Grandfather's house we go;
the horse knows the way to carry the sleigh
through the white and drifted snow.

Over the river, and through the wood,
to Grandfather's house away!
We would not stop for doll or top,
for 'tis Thanksgiving Day.

Over the river, and through the wood--
oh, how the wind does blow!
It stings the toes and bites the nose,
as over the ground we go.


The First Thanksgiving
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Over the river, and through the wood
and straight through the barnyard gate.
We seem to go extremely slow-
it is so hard to wait!

Over the river, and through the wood--
when Grandmother sees us come,
She will say, "o, dear, the children are here,
bring a pie for every one."

Over the river, and through the wood--
now Grandmothers cap I spy!
Hurrah for the fun! Is the pudding done?
Hurrah for the pumpkin pie!
--This poem originally appeared in Flowers for Children, Vol. 2 in 1844.

About Lydia Maria Child

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Sunday, September 7, 2008

Classic Poetry: Who Has Seen the Wind? (Christina Rossetti, 1830 - 1894)

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Christina Rossetti
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Who has seen the wind?

Neither I nor you:

But when the leaves hang trembling

The wind is passing through.

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The trees bow down their heads to Gustav



ilovefroggie

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Who has seen the wind?

Neither you nor I:

But when the trees bow down their heads

The wind is passing by.

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Fictional Representation of Ike



moshon2007

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For those who have suffered through Katrina, Rita, Wilma, Fay, Gustav, Hanna, Ike, and any other hurricanes.

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Friday, September 5, 2008

Alice's Adventures in Wonderland: Table of Contents, Links to Chapters, and Synopsis (Lewis Carroll, 1832-1898)

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1898 Cover of Lewis Carroll's Alice's Adventures in Wonderland
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Chapter I: Down the Rabbit Hole

Alice is bored of sitting on the riverbank with her sister, who is reading a book. Suddenly she sees a white rabbit run past wearing a coat and carrying a watch, lamenting running late. She follows it down a rabbit hole and falls very slowly down a tunnel lined with curious objects. She lands in a long hallway lined with locked doors. She finds a little key sitting on a glass table. Behind a curtain on the wall she finds a tiny door that opens with the key and leads into a beautiful garden. The door however is too small for Alice to fit through. Looking back at the table she sees a bottle labelled "DRINK ME" that was not there before. She drinks and it causes her to shrink to a size small enough to fit through the door. Unfortunately Alice has left the key high above on the table. She finds a box under the table in which there is a cake with the words "EAT ME" on it. She eats it, thinking that if it makes her smaller she can creep under the door and if it makes her larger she can get the key.

Chapter II: The Pool of Tears

The cake makes Alice grow so tall that her head hits the ceiling. Getting frustrated, she cries. Her tears flood the hallway. The White Rabbit runs by and is so frightened by Alice that he drops the gloves and fan he is holding. She fans herself with the fan and starts to wonder if she is still the same person that she was before. The fan causes her to shrink again. Alice swims through her own tears and meets a mouse, who is swimming as well. She tries to make small talk with him but all she can think of talking about is her cat, which offends the mouse. The pool becomes crowded with other animals and birds that have been swept away. They all swim to shore.

Chapter III: A Caucus Race and a Long Tale

The first question is how to get dry again. The mouse gives them a very dry lecture on William the Conqueror. A Dodo decides that the best thing to dry them off would be a Caucus-Race. The Dodo marks out a race course in a sort of circle and the racers begin running whenever they feel like it, and everyone wins. Alice reaches into her pocket and finds a box of comfits which she distributes among the winners. The animals then beg the mouse to tell them something more and he recites a tale about a mouse and Fury. Alice mistakes his tale for his tail. This insults him and he leaves. She starts talking about her cat again, which frightens the rest of the animals away.

Chapter IV: The Rabbit Sends in a Little Bill

The White Rabbit appears again and orders Alice to go back to his house and fetch him his gloves and fan. Inside, she finds another bottle and drinks from it. Alice grows so large that she has to stick one arm out the window and her foot up the chimney. The horrified Rabbit orders his gardener, a lizard named Bill, to climb on the roof and go down the chimney. As Bill slides down the chimney Alice kicks him out with her foot, shooting him up into the sky. Outside Alice hears the voices of animals that have gathered to gawk at her giant arm. The crowd hurls pebbles at her, which turn into little cakes that shrink Alice down again. She runs into the woods, where she decides that she must get back to her right size and she must find the lovely garden. Suddenly Alice is confronted by a giant puppy. She picks up a stick and teases him with it until he is tired and she can run away. She comes upon a mushroom and sitting on it is a caterpillar smoking a hookah.

Chapter V: Advice from a Caterpillar

The Caterpillar questions Alice and she admits to her current identity crisis. He asks her to recite "You Are Old, Father William". She does so, but it comes out with many errors. She insults him by saying that three inches is a wretched height to be (he himself is three inches tall). The Caterpillar crawls away into the grass, telling Alice that one side of the mushroom will make her taller and the other side will make her shorter. She breaks off two pieces from the mushroom. One side makes her shrink smaller than ever, while another causes her neck to grow high into the trees, where a pigeon mistakes her for a serpent. With some effort, Alice brings herself back to her usual height. She stumbles upon a small estate and uses the mushroom to reach a more appropriate height.

Chapter VI: Pig and Pepper

A Fish-Footman has an invitation for the Duchess of the house, which he delivers to a Frog-Footman. Alice observes this transaction and, after a perplexing conversation with the frog, welcomes herself into the house. The Duchess' Cook is throwing dishes and making a soup which has too much pepper, which causes Alice, the Duchess and her baby (but not the cook or her grinning Cheshire-Cat) to sneeze violently. The Duchess tosses her baby up and down while reciting the poem "Speak roughly to your little boy." The Duchess gives Alice the baby while she leaves to go play croquet with the Queen. To Alice's surprise, the baby later turns into a pig, so she sets it free in the woods. The Cheshire-Cat appears in a tree, directing her to the March Hare's house. He disappears but his grin remains behind to float on its own in the air.

Chapter VII: A Mad Tea Party

Alice becomes a guest at a mad tea party, along with the Hatter, the March Hare, and the Dormouse. In the course of the party, Alice reveals that the date is May 4 (which happens to be the birthday of her presumed real-life counterpart, Alice Pleasance Liddell). The other characters give Alice many riddles and stories, until she becomes so insulted that she leaves, claiming that it was the stupidest tea party that she had ever been to. Alice comes upon a door in a tree, and enters it, and finds herself back in the long hallway. She opens the door, eats part of her mushroom, and shrinks so she can get into the beautiful garden.

Chapter VIII: The Queen's Croquet Ground

Now in the beautiful garden, she comes upon three living playing cards painting the white roses on a rose tree red because the Queen of Hearts hates white roses. A procession of more cards, kings and queens and even the White Rabbit enters the garden. Alice meets the violent Queen and pacifying King of Hearts. The Queen orders "Off with their heads!" when she sees the work of the gardeners. A game of croquet begins, with flamingos as the mallets and hedgehogs as the balls. The Queen condemns more people to death, and Alice once again meets the Cheshire Cat. The Queen of Hearts then debates chopping off the Cat's head, even though that is all there is of him. Alice suggests talking to the Duchess, so the Queen orders the Duchess out of prison.

Chapter IX: The Mock Turtle's story

The Duchess is brought to the croquet ground. She is now less angry and is always trying to find morals in things. The Queen of Hearts dismisses her on the threat of execution and introduces Alice to the Gryphon, who takes her to the Mock Turtle. The Mock Turtle is very sad, even though he has no sorrow. He tries to tell his story about how he used to be a real turtle in school, which The Gryphon interrupts so they can play a game.

Chapter X: The Lobster Quadrille

The Mock Turtle and the Gryphon dance to the Lobster Quadrille, while Alice recites (rather incorrectly) "Tis the Voice of the Lobster." The Mock Turtle sings them "Beautiful Soup" during which the Gryphon drags Alice away for an impending trial.

Chapter XI: Who Stole the Tarts?

At the trial, the Knave of Hearts is accused of stealing the tarts. The jury box is made up of twelve animals, including Bill the Lizard, and the judge is the King of Hearts. The first witness is the Mad Hatter, who doesn't help the case at all, followed by the Duchess's Cook. During the proceedings, Alice finds that she is steadily growing larger when she is suddenly called as a witness herself.

Chapter XII: Alice's Evidence

Alice accidentally knocks over the jury box as she stands in alarm. She argues with the King and Queen of Hearts over the ridiculous proceedings, eventually refusing to hold her tongue. The Queen shouts her familiar "Off with her head!" but Alice is unafraid, calling them out as just a pack of cards. Alice's sister wakes her up for tea, brushing what turns out to be some leaves and not a shower of playing cards from Alice's face. Alice leaves her sister on the bank to imagine all the curious happenings for herself.

About Alice Liddell Pleasance: Lewis Carroll's Real Alice

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Synopsis from Wikipedia

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Wednesday, September 3, 2008

Chapter XII--Alice's Adventures in Wonderland: "Alice's Evidence" (Lewis Carroll, 1832-1898)

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'Here!' cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before.

'Oh, I beg your pardon!' she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die.

'The trial cannot proceed,' said the King in a very grave voice, 'until all the jurymen are back in their proper places-- all,' he repeated with great emphasis, looking hard at Alice as he said do.

Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; 'not that it signifies much,' she said to herself; 'I should think it would be quite as much use in the trial one way up as the other.'

As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court.

'What do you know about this business?' the King said to Alice.

'Nothing,' said Alice.

'Nothing whatever?' persisted the King.

'Nothing whatever,' said Alice.

'That's very important,' the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: 'Unimportant, your Majesty means, of course,' he said in a very respectful tone, but frowning and making faces at him as he spoke.

'Unimportant, of course, I meant,' the King hastily said, and went on to himself in an undertone, 'important--unimportant-- unimportant--important--' as if he were trying which word sounded best.

Some of the jury wrote it down 'important,' and some 'unimportant.' Alice could see this, as she was near enough to look over their slates; 'but it doesn't matter a bit,' she thought to herself.

At this moment the King, who had been for some time busily writing in his note-book, cackled out 'Silence!' and read out from his book, 'Rule Forty-two. All persons more than a mile hight to leave the court.'

Everybody looked at Alice.

'I'm not a mile high,' said Alice.

'You are,' said the King.

'Nearly two miles high,' added the Queen.

'Well, I shan't go, at any rate,' said Alice: 'besides, that's not a regular rule: you invented it just now.'

'It's the oldest rule in the book,' said the King.

'Then it ought to be Number One,' said Alice.

The King turned pale, and shut his note-book hastily. 'Consider your verdict,' he said to the jury, in a low, trembling voice.

'There's more evidence to come yet, please your Majesty,' said the White Rabbit, jumping up in a great hurry; 'this paper has just been picked up.'

'What's in it?' said the Queen.

'I haven't opened it yet,' said the White Rabbit, 'but it seems to be a letter, written by the prisoner to--to somebody.'

'It must have been that,' said the King, 'unless it was written to nobody, which isn't usual, you know.'

'Who is it directed to?' said one of the jurymen.

'It isn't directed at all,' said the White Rabbit; 'in fact, there's nothing written on the outside.' He unfolded the paper as he spoke, and added 'It isn't a letter, after all: it's a set of verses.'

'Are they in the prisoner's handwriting?' asked another of they jurymen.

'No, they're not,' said the White Rabbit, 'and that's the queerest thing about it.' (The jury all looked puzzled.)

'He must have imitated somebody else's hand,' said the King. (The jury all brightened up again.)

'Please your Majesty,' said the Knave, 'I didn't write it, and they can't prove I did: there's no name signed at the end.'

'If you didn't sign it,' said the King, 'that only makes the matter worse. You must have meant some mischief, or else you'd have signed your name like an honest man.'

There was a general clapping of hands at this: it was the first really clever thing the King had said that day.

'That proves his guilt,' said the Queen.

'It proves nothing of the sort!' said Alice. 'Why, you don't even know what they're about!'

'Read them,' said the King.

The White Rabbit put on his spectacles. 'Where shall I begin, please your Majesty?' he asked.

'Begin at the beginning,' the King said gravely, 'and go on till you come to the end: then stop.'

These were the verses the White Rabbit read:--

'They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim.

He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you?

I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before.

If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were.

My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it.

Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me.'

'That's the most important piece of evidence we've heard yet,' said the King, rubbing his hands; 'so now let the jury--'

'If any one of them can explain it,' said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) 'I'll give him sixpence. _I_ don't believe there's an atom of meaning in it.'

The jury all wrote down on their slates, 'She doesn't believe there's an atom of meaning in it,' but none of them attempted to explain the paper.

'If there's no meaning in it,' said the King, 'that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know,' he went on, spreading out the verses on his knee, and looking at them with one eye; 'I seem to see some meaning in them, after all. "-said I could not swim--" you can't swim, can you?' he added, turning to the Knave.

The Knave shook his head sadly. 'Do I look like it?' he said. (Which he certainly did not, being made entirely of cardboard.)

'All right, so far,' said the King, and he went on muttering over the verses to himself: '"We know it to be true--" that's the jury, of course-- "I gave her one, they gave him two--" why, that must be what he did with the tarts, you know--'

'But, it goes on "they all returned from him to you,"' said Alice.

'Why, there they are!' said the King triumphantly, pointing to the tarts on the table. 'Nothing can be clearer than that. Then again--"before she had this fit--" you never had fits, my dear, I think?' he said to the Queen.

'Never!' said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.)

'Then the words don't fit you,' said the King, looking round the court with a smile. There was a dead silence.

'It's a pun!' the King added in an offended tone, and everybody laughed, 'Let the jury consider their verdict,' the King said, for about the twentieth time that day.

'No, no!' said the Queen. 'Sentence first--verdict afterwards.'

'Stuff and nonsense!' said Alice loudly. 'The idea of having the sentence first!'

'Hold your tongue!' said the Queen, turning purple.

'I won't!' said Alice.

'Off with her head!' the Queen shouted at the top of her voice. Nobody moved.

'Who cares for you?' said Alice, (she had grown to her full size by this time.) 'You're nothing but a pack of cards!'

At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

'Wake up, Alice dear!' said her sister; 'Why, what a long sleep you've had!'

'Oh, I've had such a curious dream!' said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, 'It was a curious dream, dear, certainly: but now run in to your tea; it's getting late.' So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.

But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:--

First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers--she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that would always get into her eyes--and still as she listened, or seemed to listen, the whole place around her became alive the strange creatures of her little sister's dream.

The long grass rustled at her feet as the White Rabbit hurried by--the frightened Mouse splashed his way through the neighbouring pool--she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution--once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it--once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle.

So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality--the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds--the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy--and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard--while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs.

Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.

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Illustration: John Tenniel, circa 1865

The King of Hearts.
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Alice's Adventures in Wonderland, originally published 4 July 1865
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Monday, September 1, 2008

Chapter XI--Alice's Adventures in Wonderland: "Who Stole the Tarts?" (Lewis Carroll, 1832-1898)

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The Trial: Who Stole the Tarts?

jdewbre says:
The trial scene the 1983 Great Performances version of "Alice In Wonderland," directed by Kirk Browning and starring Kate Burton as Alice. It's remarkably faithful to the book. My all-time favorite line is Austin Pendleton screaming "HE STOLE THOSE TARTS!"
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The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--'I wish they'd get the trial done,' she thought, 'and hand round the refreshments!' But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time.

Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. 'That's the judge,' she said to herself, 'because of his great wig.'

The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming.

'And that's the jury-box,' thought Alice, 'and those twelve creatures,' (she was obliged to say 'creatures,' you see, because some of them were animals, and some were birds,) 'I suppose they are the jurors.' She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, 'jury-men' would have done just as well.

The twelve jurors were all writing very busily on slates. 'What are they doing?' Alice whispered to the Gryphon. 'They can't have anything to put down yet, before the trial's begun.'

'They're putting down their names,' the Gryphon whispered in reply, 'for fear they should forget them before the end of the trial.'

'Stupid things!' Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, 'Silence in the court!' and the King put on his spectacles and looked anxiously round, to make out who was talking.

Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down 'stupid things!' on their slates, and she could even make out that one of them didn't know how to spell 'stupid,' and that he had to ask his neighbour to tell him. 'A nice muddle their slates'll be in before the trial's over!' thought Alice.

One of the jurors had a pencil that squeaked. This of course, Alice could not stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate.

'Herald, read the accusation!' said the King.

On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:--

'The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!'

'Consider your verdict,' the King said to the jury.

'Not yet, not yet!' the Rabbit hastily interrupted. 'There's a great deal to come before that!'

'Call the first witness,' said the King; and the White Rabbit blew three blasts on the trumpet, and called out, 'First witness!'

The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. 'I beg pardon, your Majesty,' he began, 'for bringing these in: but I hadn't quite finished my tea when I was sent for.'

'You ought to have finished,' said the King. 'When did you begin?'

The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. 'Fourteenth of March, I think it was,' he said.

'Fifteenth,' said the March Hare.

'Sixteenth,' added the Dormouse.

'Write that down,' the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence.

'Take off your hat,' the King said to the Hatter.

'It isn't mine,' said the Hatter.

'Stolen!' the King exclaimed, turning to the jury, who instantly made a memorandum of the fact.

'I keep them to sell,' the Hatter added as an explanation; 'I've none of my own. I'm a hatter.'

Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted.

'Give your evidence,' said the King; 'and don't be nervous, or I'll have you executed on the spot.'

This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter.

Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her.

'I wish you wouldn't squeeze so.' said the Dormouse, who was sitting next to her. 'I can hardly breathe.'

'I can't help it,' said Alice very meekly: 'I'm growing.'

'You've no right to grow here,' said the Dormouse.

'Don't talk nonsense,' said Alice more boldly: 'you know you're growing too.'

'Yes, but I grow at a reasonable pace,' said the Dormouse: 'not in that ridiculous fashion.' And he got up very sulkily and crossed over to the other side of the court.

All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, 'Bring me the list of the singers in the last concert!' on which the wretched Hatter trembled so, that he shook both his shoes off.

'Give your evidence,' the King repeated angrily, 'or I'll have you executed, whether you're nervous or not.'

'I'm a poor man, your Majesty,' the Hatter began, in a trembling voice, '--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--'

'The twinkling of the what?' said the King.

'It began with the tea,' the Hatter replied.

'Of course twinkling begins with a T!' said the King sharply. 'Do you take me for a dunce? Go on!'

'I'm a poor man,' the Hatter went on, 'and most things twinkled after that--only the March Hare said--'

'I didn't!' the March Hare interrupted in a great hurry.

'You did!' said the Hatter.

'I deny it!' said the March Hare.

'He denies it,' said the King: 'leave out that part.'

'Well, at any rate, the Dormouse said--' the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.

'After that,' continued the Hatter, 'I cut some more bread- and-butter--'

'But what did the Dormouse say?' one of the jury asked.

'That I can't remember,' said the Hatter.

'You must remember,' remarked the King, 'or I'll have you executed.'

The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. 'I'm a poor man, your Majesty,' he began.

'You're a very poor speaker,' said the King.

Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.)

'I'm glad I've seen that done,' thought Alice. 'I've so often read in the newspapers, at the end of trials, "There was some attempts at applause, which was immediately suppressed by the officers of the court," and I never understood what it meant till now.'

'If that's all you know about it, you may stand down,' continued the King.

'I can't go no lower,' said the Hatter: 'I'm on the floor, as it is.'

'Then you may sit down,' the King replied.

Here the other guinea-pig cheered, and was suppressed.

'Come, that finished the guinea-pigs!' thought Alice. 'Now we shall get on better.'

'I'd rather finish my tea,' said the Hatter, with an anxious look at the Queen, who was reading the list of singers.

'You may go,' said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on.

'--and just take his head off outside,' the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door.

'Call the next witness!' said the King.

The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once.

'Give your evidence,' said the King.

'Shan't,' said the cook.

The King looked anxiously at the White Rabbit, who said in a low voice, 'Your Majesty must cross-examine this witness.'

'Well, if I must, I must,' the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, 'What are tarts made of?'

'Pepper, mostly,' said the cook.

'Treacle,' said a sleepy voice behind her.

'Collar that Dormouse,' the Queen shrieked out. 'Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!'

For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared.

'Never mind!' said the King, with an air of great relief. 'Call the next witness.' And he added in an undertone to the Queen, 'Really, my dear, you must cross-examine the next witness. It quite makes my forehead ache!'

Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, '--for they haven't got much evidence yet,' she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name 'Alice!'

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Illustration: John Tenniel, circa 1865

The King and Queen of Hearts.
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Alice's Adventures in Wonderland, originally published 4 July 1865
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Friday, August 29, 2008

Claasic Fiction: "The Tell-Tale Heart" (Edgar Allan Poe, 1809-1849)

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TRUE! nervous, very, very dreadfully nervous I had been and am; but why WILL you say that I am mad? The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How then am I mad? Hearken! and observe how healthily, how calmly, I can tell you the whole story.

It is impossible to say how first the idea entered my brain, but, once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture -- a pale blue eye with a film over it. Whenever it fell upon me my blood ran cold, and so by degrees, very gradually, I made up my mind to take the life of the old man, and thus rid myself of the eye for ever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded -- with what caution -- with what foresight, with what dissimulation, I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night about midnight I turned the latch of his door and opened it oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern all closed, closed so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly, very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this? And then when my head was well in the room I undid the lantern cautiously -- oh, so cautiously -- cautiously (for the hinges creaked), I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights, every night just at midnight, but I found the eye always closed, and so it was impossible to do the work, for it was not the old man who vexed me but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night. So you see he would have been a very profound old man, indeed , to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers, of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was opening the door little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea, and perhaps he heard me, for he moved on the bed suddenly as if startled. Now you may think that I drew back -- but no. His room was as black as pitch with the thick darkness (for the shutters were close fastened through fear of robbers), and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening , and the old man sprang up in the bed, crying out, "Who's there?"

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed, listening; just as I have done night after night hearkening to the death watches in the wall.

Presently, I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief -- oh, no! It was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself, "It is nothing but the wind in the chimney, it is only a mouse crossing the floor," or, "It is merely a cricket which has made a single chirp." Yes he has been trying to comfort himself with these suppositions ; but he had found all in vain. ALL IN VAIN, because Death in approaching him had stalked with his black shadow before him and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel, although he neither saw nor heard, to feel the presence of my head within the room.

When I had waited a long time very patiently without hearing him lie down, I resolved to open a little -- a very, very little crevice in the lantern. So I opened it -- you cannot imagine how stealthily, stealthily -- until at length a single dim ray like the thread of the spider shot out from the crevice and fell upon the vulture eye.

It was open, wide, wide open, and I grew furious as I gazed upon it. I saw it with perfect distinctness -- all a dull blue with a hideous veil over it that chilled the very marrow in my bones, but I could see nothing else of the old man's face or person, for I had directed the ray as if by instinct precisely upon the damned spot.

And now have I not told you that what you mistake for madness is but over-acuteness of the senses? now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well too. It was the beating of the old man's heart. It increased my fury as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder, every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! -- do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me -- the sound would be heard by a neighbour! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once -- once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But for many minutes the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence.

I took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly so cunningly, that no human eye -- not even his -- could have detected anything wrong. There was nothing to wash out -- no stain of any kind -- no blood-spot whatever. I had been too wary for that.

When I had made an end of these labours, it was four o'clock -- still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, -- for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, -- for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search -- search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My MANNER had convinced them. I was singularly at ease. They sat and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears; but still they sat, and still chatted. The ringing became more distinct : I talked more freely to get rid of the feeling: but it continued and gained definitiveness -- until, at length, I found that the noise was NOT within my ears.

No doubt I now grew VERY pale; but I talked more fluently, and with a heightened voice. Yet the sound increased -- and what could I do? It was A LOW, DULL, QUICK SOUND -- MUCH SUCH A SOUND AS A WATCH MAKES WHEN ENVELOPED IN COTTON. I gasped for breath, and yet the officers heard it not. I talked more quickly, more vehemently but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why WOULD they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men, but the noise steadily increased. O God! what COULD I do? I foamed -- I raved -- I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder -- louder -- louder! And still the men chatted pleasantly , and smiled. Was it possible they heard not? Almighty God! -- no, no? They heard! -- they suspected! -- they KNEW! -- they were making a mockery of my horror! -- this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! -- and now -- again -- hark! louder! louder! louder! LOUDER! --

"Villains!" I shrieked, "dissemble no more! I admit the deed! -- tear up the planks! -- here, here! -- it is the beating of his hideous heart!"
(1843)


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Animated Version of "The Tell-Tale Heart," Edgar Allan Poe (Columbia Pictures)



jmcusack
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